中國(guó)書法博大精深。它不僅是一門古老而奇特的藝術(shù)，而且能夠啟迪人生、豐富人生，更重要的是它所承載的是傳統(tǒng)、精神和民族的特征。

俗話說(shuō)：字如其人。不同的人寫出的是不同的字，如：賢哲之士的字，溫和醇厚；英雄豪杰的字，沉著剛毅；脫俗奇人的字，磊落灑脫；文人學(xué)士的字，清俊秀麗……

智慧一：曲則全，枉則直

要想學(xué)寫字，必先學(xué)做人。做書忌僵直之線，講求一波三折。做人也是如此，直則易折。老子曾說(shuō)過(guò)：曲則全，枉則直。因此，為人處事，做人做書都要講究藝術(shù)，講究曲線美。曲能生氣，也能貯氣；曲則有情，曲則生韻。

漢武帝是中國(guó)歷史上很有作為且第一個(gè)使用年號(hào)的皇帝。他的奶媽，自以為是皇帝養(yǎng)母，故經(jīng)常在外仗勢(shì)犯事，漢武帝就要依法嚴(yán)懲。奶媽只得求助東方朔，東方朔說(shuō)，這件事靠嘴巴講是沒有用的。于是他告訴奶媽，等皇帝下命令要辦你，你被拉下去的時(shí)候，什么也不要說(shuō)，但要走兩步，便回頭看看皇帝，走兩步，再回頭看看皇帝，切記你什么都不要說(shuō)，這樣，或者還有萬(wàn)分之一的希望。當(dāng)皇帝下令拉下奶媽時(shí)，奶媽照做了。東方朔站在旁邊罵道：你這老太婆是不是神經(jīng)啦，皇帝已經(jīng)長(zhǎng)大了，還要吃奶嗎?你快走吧!東方朔這么一說(shuō)，皇帝聽了很難過(guò)，自省，結(jié)果將奶媽釋放了。正是東方朔運(yùn)用了“曲而全”的藝術(shù)，不僅救了奶媽的命，而且還消除了漢武帝后來(lái)的內(nèi)疚之情。

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