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在專訪時，徐崢說：“只有等到熱線投資失敗更多了，中國電影才可能慢下來。”

快節(jié)奏、迫切想要成功的不僅是中國電影，生活中很多人和事情都是如此。

前幾日，一個朋友很失落的給我說，她已經(jīng)連續(xù)被拒稿很多次。每天都在寫，每天都要敲打出那么多的文字，講出那么多的故事，難免故事不夠好，被拒稿也很正常，好的文字就應(yīng)該反復(fù)雕琢，經(jīng)得起推敲，經(jīng)得起讀者的細(xì)細(xì)品讀。

徐崢說：“要寫好一個劇本，至少半年的時間。比如《瘋狂動物城》這樣類似的劇本，你會發(fā)現(xiàn)它的創(chuàng)作過程是很漫長的，用數(shù)年的時間策劃和做劇本，所以它出來的每個細(xì)節(jié)都經(jīng)得起推敲，經(jīng)得起玩味。兩個小時的內(nèi)容是一次劇作智慧的集體爆發(fā)，你看這樣的故事當(dāng)然覺得質(zhì)量級別更高了。”

一個真正的好故事，首先得把自己感動，其次才是感動讀者。

我記得之前有個作者說過，很早之前有出版社找她出書，但是她拒絕了，因為她覺得以她當(dāng)時的文字表達(dá)水平，還不足以出一本自我滿意的書籍。

人只有前進(jìn)的路

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